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A case involving drug lords and murder in South Florida takes a turn for undercover detectives Sonny Crockett and Ricardo Tubbs as their respective personal and professional lives become dangerously intertwined.
Painterly scumble... dimly illuminated night settings. Miami Vice is Mann's usual triangulation of Nietzsche, linen-edge designers like Ozwald Boateng and distinguished painters of geometric abstraction, like the great Richard Diebenkorn.
Mann is the master of nighttime digital photography, and he fills the screen with stunning images and some intricately choreographed shoot-out scenes that I just loved.
August 07, 2006
Antagony & Ecstasy
Perhaps the first Michael Mann film to almost completely lack a human element; or rather, the human element it possesses is thin and unconvincing.
The movie isn't perfect, but it's good enough, and better than most. It should keep us occupied until the big screen version of The Apprentice comes along.
July 28, 2006
ComingSoon.net
Miami Vice isn't a particularly accurate translation of the show - and depending on your point of view that could be good or bad - but it is a stylish, if uninspired, crime thriller.
I enjoyed Mr. Mann's new Miami Vice from its first ravishing frame to the last, but I can't say that very much of it made sense -- but then, neither do the daily headlines.