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A service that provides holographic recreations of deceased loved ones allows a man to come face-to-face with the younger version of his late father-in-law.
The exchanges feel slightly redundant at times. The stagey origins of the material surface occasionally. Minor bumps, though, in a unique psychological journey.
The virtues in Marjorie Prime are modest, but the muted cinematography by Sean Price Williams adds enormously to the blurred vision of reality the characters feel throughout, and the cast is first-rate.