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Allen serves up a nostalgia that was utterly of its time; he incarnates an idea of the city that, even now, remains as strong as its reality and refracts his disappointed ideals into high existential crises.
With Manhattan, a sparkling romance about the overspecialized anxieties of overintellectualized New Yorkers, Woody Allen has bounced back from the sobriety of "Interiors" to an exhilarating new comic high.