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A young street artist in East Los Angeles is caught between his father's obsession with lowrider car culture, his ex-felon brother and his need for self-expression.
It's dispiriting to watch "Lowriders" make every predictable move. It clutters an otherwise well-meaning snapshot of a vibrant community underserved by mainstream filmmaking.
Mexican-American culture isn't merely draped over the story as an added element but woven throughout with a casual practicality that respects both the primary characters and their shot-on-location East L.A. setting.
It's admirable that this film depicts a culture that's tragically under-represented on the big screen, but the movie is so overwritten and simplistic that it almost comes across as condescending.
Lowriders exudes passion from the cast and everyone involved, and the final result is a passion project that is both poignant and socially relevant despite its many flaws.
Eva Longoria gives one of her most authentic performances as the strong and loving Gloria. Ross brings a wounded intensity to his character. Chavarria's narration is a tad low key, but his performance is natural and effective.