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Watch Let's Be Cops

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  •  Trailer
The lives of two single funny guys was gradually boring so they started a new game: They selected police uniforms for themselves in the carnival. Despite being the fake cops, they suddenly be loved by their neighbors. They feel obscurity but very excited.
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  • CRITICS OF "Let's Be Cops"
Grantland
Let's be clear: No one should choose this movie. It's a title in search of a plot. It could also have been called Let's Be Funnier, Let's Be Directed, Let's Be 15 to 30 Minutes Shorter, Let's Be 22 Jump Street.
August 15, 2014
Herald Sun (Australia)
After a fairly solid start, Let's Be Cops melts down into a sludge of sub-Sandler-esque shenanigans that slows the flow of laughs to a trickle.
November 21, 2014
ChristyLemire.com
This notion might have worked perfectly well in sketch form, but stretched out to feature length - in a film that's overlong at nearly two hours - it grows thin, repetitive and wearying.
August 17, 2014
eFilmCritic.com
I can't adequately express how soul-sucking the crime subplot is here.
July 14, 2015
Toronto Star
Let's earnestly hope there is no sequel.
August 14, 2014
Critic's Notebook
It's surprising how emotionally invested you become in these numbnuts, especially when the proceedings unfold in an all too predictable fashion.
October 08, 2015
New York Times
"You've been watching too many movies," says a detective (Andy Garcia) during an interrogation in "Let's Be Cops." The same could be said for the filmmakers, who hit predictable beats in this disposable comedy.
August 14, 2014
Boston Globe
None of this is as riotously zany as it wants to be.
August 14, 2014
The Australian
At this point Let's Be Cops loses much of its humour and starts looking like a film Liam Neeson will turn up in any time soon. That's a pity because the first half, about two doofuses playing police, is funny and occasionally sharp.
November 14, 2014
The Film Stage
Sloppy, silly and sporadically amusing, Let's Be Cops feels like one of those 90s comedies expanded from an SNL sketch.
March 26, 2016
New Yorker
The chillingly gung-ho darkness that Johnson lends his comic riffs would be the story, if only the director, Luke Greenfield, didn't play the movie solely for laughs, which are few and far between.
September 22, 2014
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