Lavender 2016 Watch Free in HD

Abbie Cornish

7 August 1982, Lochinvar, New South Wales, Australia

Dermot Mulroney

31 October 1963, Alexandria, Virginia, USA

Justin Long

2 June 1978, Fairfield, Connecticut, USA

Diego Klattenhoff

30 November 1979, French River, Nova Scotia, Canada

Lola Flanery

Peyton Kennedy

4 January 2004, Toronto, Ontario, Canada

Sarah Abbott

Liisa Repo-Martell

February1971, Toronto, Ontario, Canada

17 August 1977, Toronto, Ontario, Canada

Ed Gass-Donnelly

17 August 1977, Toronto, Ontario, Canada

Colin Frizzell

Los Angeles Times

"Lavender" means well, but it ultimately proves that not all ghosts need a backstory. Often, just being scary - even inexplicably - is more important than being meaningful.

March 02, 2017

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Punch Drunk Critics

Lavender won't keep you in suspense long about what's going on. In fact, it won't keep you in suspense at all.

March 02, 2017

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Film Journal International

[Abbie] Cornish's strong performance [...] serves as an anchor that keeps this slow-burn thriller [...] from wearing out its welcome before the third-act revelations.

March 07, 2017

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New York Observer

Boring, derivative, and infuriatingly illogical, Lavender is a ghost story with no thrills, no surprises, and no sense.

March 08, 2017

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Paste Magazine

While it succumbs to a lot of clichés that blunt its impact, Lavender shows that there are interesting ways to apply genre elements beyond the bump and chills, and in the service of story about memory, trauma, and resolution.

March 02, 2017

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Cinemalogue.com

Style trumps substance in this atmospheric and mildly creepy low-budget thriller.

March 10, 2017

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Blu-ray.com

It's not always a tasteful film, eventually making positive accomplishments difficult to track by the third act.

March 02, 2017

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Village Voice

As old-fashioned as Hitchcock's Spellbound, Lavender presents the unlocking of suppressed horrors as a freeing experience, without the messiness of further analysis.

March 01, 2017

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Globe and Mail

Leaves no cliché unturned ...

November 04, 2016

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Nerdist

Beyond its unsettling intro, it steadily becomes a middling thriller.

March 04, 2017

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Hollywood Reporter

The screenplay, co-written by Gass-Donnelly with Colin Frizzell, manages to be simultaneously lacking in coherence and utterly predictable, with viewers earning no points for guessing which one of the characters turns out to be the villain.

March 08, 2017

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