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Lewis Shaler is a doctor and single father heading home with his young son Max on a late night train from London. Max accidentally causes fellow passenger Sarah Barwell to spill coffee on her coat, prompting Shaler to apologize to Barwell. The interaction is the beginning of a romantic connection between the two. Unexpectedly, the train has break-down as close to the final station. All train driver and staffs were down, there are only last few passengers on the train- one of them is Shaler. They have to find out the way to escape the train is moving with high speeds and having no brake.
Although the film, Nooshin's first feature, takes a while to become fully propulsive, it eventually puts forth an effective series of red herrings, close calls and clock-ticking action scenes.
A runaway-train action thriller that coasts along serviceably for a bit before entering Boredom Station, this British-produced rip-off of Speed lacks compelling characterizations.
While Last Passenger is a campy B-movie, it possesses greater aesthetic aspirations, and the film's stylistic ambition is ultimately what makes it an entertaining ride.
Intelligent and strongly acted, Last Passenger is a white-knuckle thrill ride that, despite its small budget, is capable of going toe-to-toe with the best thrillers coming out of Hollywood today
While Last Passenger is in the same vein as films such as Unstoppable, Speed, Joy Ride, and Premium Rush, it lacks a proper resolution and its empty thrills don't make up for its inadequate amount of substance.