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The individual may sometimes face a difficult and indifferent attitude. So 12-year-old Henry found himself at the center of a wave of terrorism and inheritance disorders left by the family. Henry found himself in an empty and isolated farm, and Henry had to face his fate.
Peterson crafts a chilling homage to The Shining; handles the why-doesn't-he-use-his-cellphone question nicely; and delivers a decent followup to his last feature, 2012's Lloyd the Conqueror.
Disappointing, too, that Knuckleball introduces a lady cop so charmingly and progressively... only to reduce her to collateral damage in her very next scene.
This is a slow-burner that will draw you in, with an eerie sense of atmosphere and style coupled with some excellent cinematography by Jon Thomas. One to be applauded for trying something different with conventional horror themes.
The film relies heavily on the interplay between Henry and Dixon, which resembles a violent dance. Both actors invest deeply in their roles, which helps to sell the tension (particularly as the bodies begin to pile up)
While you're watching, helmer Michael Peterson effectively earns suspension of disbelief with stark atmospherics, solid performances and a persuasive escalation of panic.