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Sharing a passionless existence together, a married English couple, travel to Naples after inheriting a villa. On the verge of divorce, with neither one's disposition warming to the other, they decide to spend the rest of the trip separately. However, during the course of their vacation, the Joyces both undergo changes.
Voyage to Italy is the kind of movie that makes those unhappily in love feel understood. And even if that's not you (congratulations), it's still possible to groove on Rossellini's stranger-in-a-strange-land psychodrama.
Voyage to Italy is close to watching actual strangers suffer loneliness despite being together. It can leave an aching bruise, but only if you're paying attention.
Befitting a filmmaker who defined as well as challenged the definition of Italian neorealism, it unfolds simultaneously as thorny narrative and profoundly personal documentary.
One of the most quietly revolutionary works in the history of cinema, Roberto Rossellini's third feature starring Ingrid Bergman (his wife at the time), from 1953, turns romantic melodrama into intellectual adventure.