Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Shocking, outrageous, and poetic, Jigoku (Hell, a.k.a. The Sinners of Hell) is the most innovative creation from Nobuo Nakagawa, the father of the Japanese horror film. The movie tells the stories of a聽group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all who meet at the Gates of Hell.聽
the film's bleak portrayal of sin and (maybe) redemption is easily adapted to any time, even if Nakagawa's particular version is unimaginable in any decade but the Sixties.
Shot mostly on bare studio sets with a lighting style even more theatrical than the acting, it feels like a weird piece of fringe theatre in three acts.