Ip Man: The Final Fight 2013 Watch Free in HD

Anthony Chau-Sang Wong

2 September 1961, Hong Kong

Gillian Chung

21 January 1981, Hong Kong

Jordan Chan

8 July 1967, Hong Kong

Eric Tsang

14 April 1953, Hong Kong

Marvel Chow

Chuchu Zhou

Timmy Hung

5 August 1975, Hong Kong

July1924, Foshan, Guangdong, China

Anita Yuen

4 September 1971, Hong Kong, British Crown Colony

Kai Chi Liu

7 April 1954, Hong Kong, British Crown Colony

Cho-Lam Wong

9 January 1980, Hong Kong, British Crown Colony

Jonathan Wong

Xiao Lung Ding

Hark-On Fung

12 September 1948, Shaxi, Zhonghsan, Guangdong Province, China

1961, Guangzhou, China

Erica Lee

Ip Man

Played by: Anthony Chau-Sang Wong

Cheung Wing-Sing

Played by: Anita Yuen

Seattle Times

Soap opera, set-bound and unexceptionally written and directed.

September 19, 2013

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Oregonian

The action choreography eschews the slow-motion, wire-assisted grace of Yuen Woo Ping's in "The Grandmaster," but does a solid job of crisply and clearly showcasing a few epic brawls.

September 19, 2013

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Examiner.com

It's admirable that Ip Man: The Final Fight takes a different approach to the character than the other Ip Man films out there, but it lacks the excitement that made Ip Man and Ip Man 2 so entertaining.

November 14, 2013

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New York Times

Seriously, if not always elegantly, the film portrays the great Ip Man as someone trying to survive, which is to say just as often a victim as a victor.

September 19, 2013

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Film Journal International

Cut off from his home and family in China, martial-arts teacher Ip Man tries to adapt to life in Hong Kong. Intriguing if reverential account of an icon's final years.

September 19, 2013

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AV Club

The Final Fight plays out like a collection of greatest-hits vignettes barely connected to one another.

September 19, 2013

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UR Chicago Magazine

Ip Man was a notable martial arts instructor, he was not a saint. Perhaps someday, somebody will make an accurate film about the man. Meanwhile, we have these kung fu pseudo-biopics to entertain us.

September 19, 2013

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Washington Post

The naturalism of Wong's performance is undercut ... by Yau's use of phony-looking sets, sterile CGI and flashy aerial shots.

September 19, 2013

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Los Angeles Times

The overall sense is of a rushed, simplistic installment in a well-worn biography franchise.

September 19, 2013

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Screen International

The soul of this movie is really in its tireless references to the historical and social conditions of 1950s and 60s Hong Kong, whose street views are recreated in vibrant, saturated colours.

September 16, 2013

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Mountain Xpress (Asheville, NC)

More a frequently elegant drama than an outright action movie.

October 29, 2013

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RogerEbert.com

This is a rare case where, if a film had been livelier and less traditional and "respectful," its lead performance might have seemed less special.

September 20, 2013

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