I Am Not Madame Bovary 2016 Watch Free in HD

Chengpeng Dong

12 January 1982, Ji'an, Jilin, China

Bingbing Fan

16 September 1981, Qingdao, Shandong Province, China

Wei Fan

2 September 1962, Shenyang, Liaoning, China

Xiaogang Feng

1958, Beijing, China

Tao Guo

17 December 1969, Xi'an, Shanxi, China

Hua Liu

1 June 1961, Changchun, Jilin, China

Zonghan Li

7 November 1976, Beijing, China

Hewei Yu

4 May 1971, Fushun, Liaoning Province, China

Jia-yi Zhang

7 April 1970, Xi'an, Shaanxi, China

Yi Zhang

Lixin Zhao

29 August 1968, Zhengzhou, Henan, China

Xiaogang Feng

1958, Beijing, China

Zhenyun Liu

Los Angeles Times

The shapes are a distraction. However, what's happening within them is compelling enough to overcome the stylistic overkill.

November 17, 2016

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Times (UK)

A film that luxuriates, through that beguiling round frame, in breathtaking, never-seen-before screen imagery.

May 26, 2017

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Irish Times

Bingbing heads a terrific ensemble, although the sly anti-bureaucratic fun does feel a little overextended at 137mins.

June 28, 2017

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RogerEbert.com

It's a pleasure to look at the screen and to watch the artistry of the entire creative team. But there's a forbidding quality to the entire enterprise.

November 18, 2016

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Hot Press

As the second half of the film essentially repeats the action, only years later, the film's pace becomes sluggish, and its impact rapidly deflates. The artful charm of Feng's stylistic choices also begin to feel limiting.

May 26, 2017

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Village Voice

It's like an odd storybook you'd find in the attic and have trouble putting down - the more quixotic Lian's journey becomes, the more you want her to see it through to the bitter end.

November 16, 2016

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Observer (UK)

The film is uneven and lagging in pace. Still, it's frequently beautiful ...

May 28, 2017

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Washington Post

Although it's intended as a satire, director Feng Xiaogang's movie has a literary tone, a leisurely pace and relatively few laugh-out-loud moments.

November 17, 2016

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Seattle Times

The script by Liu Zhenyun becomes ponderous and redundant, kept on oxygen by its lead actress's complex performance as a child-woman with enigmatic wisdom.

November 17, 2016

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Sunday Times (UK)

[An] overstretched art-house soap.

June 09, 2017

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Time Out

All in all this is quite something, gradually building to a jawdropping final scene.

May 22, 2017

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