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Maria is a successful business executive, struggling to fulfill her greatest wish of all: to bring a child into the world. Maria then decides to deal with the matter by herself and embarks on a desperate and dangerous journey in order to make her dream come true.
Without humanity, without intelligence, "The 11th Hour" becomes a highlight reel of superficial suffering that comes dangerously close to mocking real-world horror.
I like when sad movies have a point, but The 11th Hour is more like a self-loathing emo in high school who writes over-the-top depressing poetry for attention.
By the time the film empties its inventory of shock tactics and reaches its (too calculated) ambiguous conclusion, we're not sure if Maria deserves better, but it's pretty clear that Basinger does.
I found this a less-than-fulfilling cinematic experience. But I have to give Morgenthaler credit for what we used to call "moxie"-whatever the hell he's doing, or thinks he's doing, he's fully committed to it ...