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For teenager Halley, love seems like an alien concept. She is disillusioned by too many examples of love gone wrong, refuses to believe that true love exists. But, when Halley meets edgy Macon, she learns what love is really all about.
After a while the bad lighting, graceless editing, sluggish dialogue and self-conscious performances begin to seem like marks of authenticity, as if the movie had been made not just for and about teenagers, but by them.
July 19, 2003
Washington Post
A bad, unimaginative story posing pretentiously as the very opposite.
July 18, 2003
eye WEEKLY
Overcrowded with characters and subplots, the film gives short shrift to the parts that should matter.