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It's probably a stretch to surmise that, just as the first film's subtext dealt with health fears, the sequel mines its dread from the horror of malpractice.
Gory but lacking in purpose, this sequel benefits from the return of Higgins and the new addition of Cranham, yet fails to do much with the premise other than deliver a reactionary AIDS parable.
Though there's some good work here, it's a classic example of how not to approach making a sequel. When everything is turned up one notch louder, it's hard to make out anything clearly at all.