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Intimate portrait of a woman drifting between reality and denial when she is left alone to grapple with the consequences of her husband's imprisonment.
[Rampling is] so mesmerizing you can't take your eyes off her. This is good, because there's nothing else to watch or care about in the entire film anyway.
The more you try to lead a normal life, the more the environment seems to conspire to exclude it. [Director] Andrea Pallaoro contemplates this process with distant and parsimonious patience... [Full review in Spanish]
Gorgeously and at times frustratingly austere, "Hannah" has a simple, compelling premise. But more than that, it has the unparalleled Charlotte Rampling.
Rampling's pale, stricken countenance sets the tone of "Hannah" and dominates virtually every moment thereafter. By the end, we feel so wrung out it takes a second or two to realize that very little has happened.
By making her quiet corner of the screen more captivating than the portions where people are yelling or screaming, it's easy to see how Rampling won Best Actress at the Venice Film Festival.
Those who think that the word "marvel" applies only to superheroes should steer clear of "Hannah." But Rampling is a true marvel here, in every other sense of the word.