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Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.
This is among his lesser recent movies, which doesn't diminish its likability. In fact, it's pleasing to see Eastwood working the middle of the emotional register for a change.
It is familiar, but only to a point. Suddenly, that point is past and much more serious questions come up, questions of responsibility, of vengeance, of the efficacy of blood for blood.