Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
When her sister goes missing, Jill is convinced the serial killer who kidnapped her two years ago has returned, and she sets out to once again face her abductor.
It's a significant letdown that after all Jill's running, and all the guessing Seyfried makes us do, the climactic confrontation plays like an uninspired afterthought.
With 'friends' like this movie, the feminist cause doesn't need enemies... [E]ven if Jill isn't crazy... she's still crazy, because she does not behave like a sane person.
No money should ever change hands in any Gone-related interaction, unless it is because you are buying matches and gasoline to set all the copies of it on fire.
By the end of Gone you'll be convinced that it's just a low-rent reworking of The Silence of the Lambs, with Seyfried's humongous peepers a sad substitute for Jodie Foster's acting chops.