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On the eve of retirement a middle class, judgmental snob discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister who lives on an impoverished inner-city council estate.
It's not a terrible time at the movies, especially when Staunton and Spall get a chance to shine, but it vanishes from your mind without a second thought.
A last-act plot turn is straight out of the Dictionary of Tearjerker Clichés (look under "C"), but by that time we're enjoying these people's company so much that we don't really mind.
When given the chance (which is always), the cast unlocks moments that are so intimate and naturally detailed, you would swear that the actors had no idea the cameras were rolling.
Whether it's inspired, perverse, or just lazy to make over-60 actors prance through familiar rom-com routines, Staunton, Spall, and Imrie are up to the task.
The film explores little new ground... And yet, the total lack of pretension and loving gaze of [Richard] Loncraine make you root for her... [Full Review in Spanish]
This dramedy about middle-class Londoners in their 60s and 70s getting on with life has a genial watchability - even a stubborn relevance - thanks to its crackerjack ensemble cast, who play characters just eccentric enough to keep things tasty.
Oh dear. This is one of those British light entertainments that pop up every few years, jam-packed with thespians having a jolly time making something commercial for the simple folk.