Final Portrait 2017 Watch Free in HD

Armie Hammer

28 August 1986, Los Angeles, California, USA

Clémence Poésy

30 October 1982, Meudon, Hauts-de-Seine, France

Geoffrey Rush

6 July 1951, Toowoomba, Queensland, Australia

Tony Shalhoub

9 October 1953, Green Bay, Wisconsin, USA

James Faulkner

18 July 1948, Hampstead, London, England, UK

Sylvie Testud

17 January 1971, Lyon, Rhône, France

Kerry Shale

17 June 1958, Winnipeg, Manitoba, Canada

11 November 1960, Peekskill, New York, USA

Stanley Tucci

11 November 1960, Peekskill, New York, USA

Variety

In "Final Portrait," Stanley Tucci, directing his first film in 10 years, takes the biopic to an even more exquisitely homespun level of miniature close-up.

February 12, 2017

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Stuff.co.nz

Giacometti's endless delaying tactics and his prosaic nature means Final Portrait weirdly feels both once over lightly and somewhat slow all at once.

October 04, 2017

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Metro (UK)

Actor-turned-director Stanley Tucci's fifth movie is like an engagingly acted episode stretched into a feature.

October 11, 2017

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Hollywood Reporter

Makes for a narrative with little consistent forward momentum and an anticlimactic ending, though the film remains agreeable thanks largely to Rush's flavorful performance.

February 12, 2017

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Flicks.co.nz

Avoids the usual biopic pitfalls, yet succumbs to the half-baked slightness that can plague talky, miniaturist chamber pieces.

October 05, 2017

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ABC Radio (Australia)

This modest, extremely charming labor of love from writer/director Stanley Tucci is not intended for anyone who can't wait for the next Transformers. But if you're interested in Paris, art, the 1960s or any combination, it may be right up your alley.

October 31, 2017

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New Zealand Herald

Tucci presents an engaging overview of the artist, undoubtedly one that will inspire viewers to continue their own exploration of a fascinating character.

October 05, 2017

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Flick Filosopher

A bleakly funny, genteelly twisted gloss on the clichés of temperamental creative genius, via the relationship between an artist and his subject, one that questions the sometimes high personal price of great art.

January 10, 2018

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Cinemanía (Spain)

It is not an innovative proposal, but not too trite... [Full review in Spanish]

December 29, 2017

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The Mail on Sunday (UK)

Rather like the sittings, the film just goes on and on and on.

October 04, 2017

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Herald Sun (Australia)

A low-key drama of consistently high quality...

October 05, 2017

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indieWire

As a bit of art-house escapism, that it is a trip well worth taking.

February 17, 2017

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