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t the NFL Draft, general manager Sonny Weaver has the opportunity to rebuild his team when he trades for the number one pick. Now he is torn between a lower-ranked linebacker with a questionable past or a celebrated quarterback with a questionable future.
Draft Day isn't even really about football. It's about coming into your own and finding clarity at a personal and professional crossroads. It's about doing your job. It's a day in the life.
As movies go, Draft Day is the equivalent of an 8-8 NFL team. Maybe even a 7-9. It is sporadically interesting, and suggests that it is worth sticking around for the final play. But there's no guarantee you will be satisfied with the outcome.
Kevin Costner's unexpected comeback continues with this surprisingly fine sports jam in the vein of Moneyball-it's not about the meal, it's about how the sausage gets made.
This is a very American film that - not unlike Moneyball - attempts to expand its appeal by doubling down on its focus on the very American sport at hand so as to find the universal themes intrinsic to the game.
We've seen lots of this type of Art of the Deal maneuvering-how GMs spread gossip, bait and switch, gamble, and haggle each other. It never gets old. It's also the best part.