Diamond Tongues 2015 Watch Free in HD

18 November 1987, Brampton, Ontario, Canada

Bo Martyn

27 September 1986, Swinoujscie, Zachodniopomorskie, Poland

Julian Peter

Catherine Stockhausen

8 November 1980, Fort Benning, Georgia, USA

George Stroumboulopoulos

16 August 1972, Toronto, Ontario, Canada

21 August 1985, Kitchener, Ontario, Canada

Brian Robertson

Pavan Moondi

21 August 1985, Kitchener, Ontario, Canada

Adam Gurfinkel

Globe and Mail

Suggests All About Eve by way of The King of Comedy: contempt and envy reign and the threat of disaster closely follows.

August 07, 2015

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The Playlist

Diamond Tongues is refreshing because it isn't an indictment of a demographic, or even of Edith, but is a portrait of a young woman whose ambition has curdled into something more nasty along the way.

August 12, 2015

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Hollywood Reporter

That she nonetheless emerges as all too relatable is a credit to Moondi's astute screenplay and the nerve-rattling performance by its lead performer, here making an auspicious acting debut.

August 12, 2015

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Consequence of Sound

Diamond Tongues is a brilliant and realistic portrait of the young artist as a bitter borderline failure.

June 22, 2015

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Movie Nation

Witheringly funny, accurate and in the end touching take on a "type" -- the acting wannabe who turns bitter when success is elusive.

February 09, 2016

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NOW Toronto

Diamond Tongues works both as a character study and an exercise in cringe comedy: you spend an hour and a half watching someone make a lot of bad choices, hoping that she'll learn from at least one of them.

August 06, 2015

Toronto Sun

Goldstein has something to fall back on if this music thing doesn't work out. In an impressive feature debut, she carries literally an entire movie.

August 06, 2015

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Slant Magazine

Throughout, Pavan Moondi and Brian Robertson purposely indulge Hollywood formula only to subvert it.

February 15, 2016

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National Post

The second feature by Pavan Moondi and Brian Robertson, Diamond Tongues lives in its careful attention to detail, the meticulous but breezy way it captures Edith's meandering life as much as her increasingly destructive disenchantment.

August 12, 2015

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New York Times

Ms. Goldstein gives a performance that requires her to swing between disarming and loathsome. She demonstrates impressive skill in slowly peeling away her character's charm.

February 18, 2016

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