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Dead Man is the story of a young man's journey, both physically and spiritually, into very unfamiliar terrain. On the run after murdering a man, accountant William Blake encounters a strange North American man named Nobody who prepares him for his journey into the spiritual world.
Characteristically meandering and sardonic, with Robby Muller's floating, shimmering camerawork, a catalog of witty cameos, and one of the most beautiful modern film-scores
It seems to be Blake's name as much as anything that propels the character deep into a strange frontier where Blakean ideals of innocence and integrity have been obliterated by ignorance and cruelty.
Minimalism defines this revisionist and challenging noir- Western, a welcome artistic departure from Jarmusch's increasingly tired and tiresome Downtown New York sensibility.
Coy to a fault, the movie collapses under its own weight with 90 minutes to go, despite Robby MÃuller's impressive black-and-white photography, which puts the film on a higher artistic plane than other equally unbearable movies.