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At first, Nels Coxman had a tranquil life as a snowplow driver. Things flip around when his son dies from a heroin overdose. Coxman starts to consider suicide, however he alters his opinion when he finds that his son was killed by a drug merchant who has an expansive pack. Coxman looks for behind vengeance yet he needs to enter a chain of troubles and lethal threats.
Not that Moland is after a realistic, philosophical interrogation of cold-blooded revenge anyway -- and given Neeson's own recent, deeply unfortunate racist remarks, that may be for the best.
After a zingy, tight first hour, the concision gives way to flab. The executions become a touch mechanical, the gags start to feel forced, and the avalanche of lavishly nicknamed baddies loses distinction.