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Wartime, 1942. Singapore. An Australian fighter pilot shot down in combat awakens suspended in the treetops. As night devours day, he must navigate through dangerous jungle in search of sanctuary. Transcending language and culture, CANOPY is a cinematic tour de force exploring the collision of war, nature and its impact on humanity.
A humble hybrid between The Thin Red Line and Gravity, Canopy embraces the challenge of making a low-budget World War II film, distilling Australia's involvement in the Pacific Theater into the plight of one unfortunate paratrooper.
To the suddenly white-hot adventure subgenre of one or two souls alone against nature... add the more modestly scaled but no less absorbing wartime survival adventure "Canopy."
"Canopy" begins in stillness, ends in muteness, and in between seldom a word will be uttered. . . . All in all, the screenplay offers up two perfect roles for actors with poor memory recall.
In many ways, Canopy is closer to a fairy tale than a war film, its soldier like a hero on a perilous, mystical journey through a primordial forest, with a sort of pre-linguistic logic guiding the action.
A brave experiment in stripped-down, visceral filmmaking, writer-director Aaron Wilson's World War II drama "Canopy" is ultimately upended by its minimalist conceit.