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Clark's probing camera leers, but it also reflects truth, providing visions of a hard reality most of us would be unable to comprehend and unwilling to face.
August 17, 2001
Jurgen Fauth
An extremely disturbing tale of escalating peer pressure.
Attention must be paid, because this story of middle-class suburban teens who murder one of their own is all true.
August 02, 2001
Emanuel Levy
Clark is not a moralist, which is good, but he is not much of a dramatist either. You get the impression that the fascination with youth in his movies, just like in his photos, provides an excuse for voyeurism.
The moral wasteland of suburban youth has been examined, earlier and better, in The River's Edge. Clark's leering leads nowhere: In Bully, he has nothing new to say, and, in the end, no real point to make.