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A customs officer who can smell fear develops an unusual attraction to a strange traveler while aiding a police investigation which will call into question her entire existence.
John Ajvide Lindqvist's new film is a dark, twisted fairy tale that is worth watching so long as you know that it's no Disney fable-and it is definitely not for children.
Border is therefore representative of the geographical line separating Tina's native country of Sweden with its neighbors as well as the one between nature and nurture.
The refreshingly offbeat, sturdily handled "Border" is not just unlikely to resemble any of its subtitled competition but also anything else you'll see this year.
As cold as possible is a good way to see it. This is a movie that aims to startle in overt and subtextual ways; the less known before viewing, the better.
In Tina, she has crafted a central character that's easy to appreciate, and often fascinating, but hard to like, and equally often deliberately off-putting. Which is also a fair description of Border.
The weird and wonderful gothic tale behaves like David Cronenberg's misbegotten son. Abbasi's film requires the audience to navigate past layers of repulsiveness before you recognize that what you are seeing is an abstract form of beauty.