Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
In any futuristic film, it always seems as if the acting takes a backseat to its visual features. In "Blade Runner 2049," Ryan Gosling offers up his most complex and alluring work since "Drive."
A meditative and moving film, sumptuously photographed by legendary cinematographer Roger Deakins in the finest and most astonishing work of his career.
The rare sequel that truly merits its existence, updating and expanding the themes of the 1982 original to bring them from the 20th century into the 21st.
Villeneuve and cinematographer Roger Deakins give us staggering new visions of the future, ones that confound and trance and mystify in Blade Runner 2049 even while making rich cinematic senses.
Is Blade Runner 2049 a masterpiece like its predecessor? Definitely not. It's not even a match for 2016's superb Arrival, the previous film from director Denis Villeneuve. Yet on its own terms, it's a dazzling achievement.
Spectacular enough to win over new generations of viewers, yet deep enough to reassure diehard fans that their cherished memories haven't been reduced to tradable synthetic implants.
From the grayed-out countrysides over which the sky has closed like a lid; to the drizzly neon decadence of Los Angeles; to the Ozymandian wreckage of Las Vegas-the film is a visual splendor of the first order.