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A five-man unit of cops on night patrol get more than they bargain for when they arrive at a creepy backwater town, only to face a night of horror in a subterranean labyrinth after answering a distress call.
It's the kind of arthouse horror that becomes a household name among genre fans. It's so shocking (at times) and so astoundingly well made that, if anything, I think it puts an exclamation stamp next to Can Evrenol's name as one of the futures of horror.
Part art film slow burn and part extreme splatterfest, Baskin is best enjoyed as a movie that features the memorable image of a man gouging out someone's eyeball with a knife and then French-kissing the bloody socket.
A film that is like a trip to hell. Even though its plot seems to deflate a bit, the final part becomes a catharsis of terror. [Full review in Spanish]