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Visually speaking, the film does pretty well with fire-as-spectacle, less well with everything else (Howard tends to trot out fuzzy-toned Spielbergian backlighting on any pretext).
The spectacular fire sequences, which must have been hellish to film, are powerfully enveloping on screen, thanks especially to the eerie effect of the title.
May 20, 2003
rec.arts.movies.reviews
Ron Howard's film is one of smoke-eaters, crispers, and torches... and it bestows a renewed respect on a profession all too often taken for granted.