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Three teenagers live isolated, without leaving their house, because their over-protective parents say they can only leave when their dogtooth falls out. Increasingly curious about the outside world, the older daughter hatches a plan to escape.
The true dark-horse nominee among this year's foreign-language Oscar contenders, Dogtooth leaves bite marks that stick around long after you are released from its grip.
This is the second feature for Lanthimos, and it's a leap from his well-received debut Kinetta. He skilfully doles out tantalizing pieces of information, keeping the viewer in a constant state of suspense and wonder.
Dogtooth is one of the funniest films of the past 12 months, an unforgettable social-satire, a devious little test of endurance for brave movie-lovers and the best argument against home-schooling since The Jonas Brothers.
Cinephiles (have) reacted to Lanthimos' skewed vision in much the same way as the confined children at the heart of the story: through the inquisitive, excited eye of someone catching a glimpse of a new worldview for the first time.