Born in Denmark, Sven-Ole Thorsen has a remarkable sporting background as a champion bodybuilder, champion power-lifter, and karate black belt that made him an obvious choice for movies roles as "muscle for hire." The hulking 6' 5" actor first came to attention as one of Thulsa Doom's bodyguards... The hammer wielding Thorg...
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Born in Denmark, Sven-Ole Thorsen has a remarkable sporting background as a champion bodybuilder, champion power-lifter, and karate black belt that made him an obvious choice for movies roles as "muscle for hire." The hulking 6' 5" actor first came to attention as one of Thulsa Doom's bodyguards... The hammer wielding Thorgrim, in the highly popular, Conan the Barbarian (1982). He came to Hollywood in 1985, appearing in nearly every Arnold Schwarzenegger film, including Predator (1987), Twins (1988), Red Heat (1988), and End of Days (1999). His other on screen appearances include Lethal Weapon (1987), The Quick and the Dead (1995), The Hunt for Red October (1990), On Deadly Ground (1994), and Gladiator (2000). Thorsen's extensive stunt work includes Dracula (1992), Bulletproof (1996), Eraser (1996), Soldier (1998) and Collateral (2004). On television, he has been seen in Baywatch (1989) and The A-Team (1983). Show less «
"It was one of the toughest jobs I've ever had in my life, because we had every scene choreographed ...Show more »
"It was one of the toughest jobs I've ever had in my life, because we had every scene choreographed and storyboarded. And there was three and a half weeks of rehearsal, 10 hours a day, with a stunt-double, with Russell Crowe, with the tigers, with a sword, with an axe, with a mask, with a 50 pound uniform... It was very complicated." - On his role as Tigris in Gladiator (2000). Show less «
There's difference between, I think, American movies and European movies, because there are a lot of...Show more »
There's difference between, I think, American movies and European movies, because there are a lot of European countries that get support from the state; the movies are more artistic, they are more based on dialogue, and they are more based on telling a good story. - From featurette on The Gristle (2001) Show less «