Birthday: 1 September 1920, Los Angeles, California, USA
Height: 183 cm
An American stuntman who, after more than 30 years in the business, moved into acting and became an acclaimed and respected character actor, Richard Farnsworth was a native of Los Angeles. He grew up around horses and as a teenager was offered an opportunity to ride in films. He appeared in horse-racing scenes and cavalry charges unbilled, first as...
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An American stuntman who, after more than 30 years in the business, moved into acting and became an acclaimed and respected character actor, Richard Farnsworth was a native of Los Angeles. He grew up around horses and as a teenager was offered an opportunity to ride in films. He appeared in horse-racing scenes and cavalry charges unbilled, first as a general rider and later as a stuntman. His riding and stunting skills gained him regular work doubling stars ranging from Roy Rogers to Gary Cooper, and he often doubled the bad guy as well. Although. like most stuntmen, he was occasionally given a line or two of dialogue, it was not until Farnsworth was over 50 that his natural talent for acting and his ease and warmth before the camera became apparent. When he won an Academy Award nomination for his role in Comes a Horseman (1978), it came as a surprise to many in the industry that this "newcomer" had been around since the 1930s. Farnsworth followed his Oscar nomination with a number of finely wrought performances, including The Grey Fox (1982) and The Natural (1984). In 1999 he came out of semi-retirement for a tour-de-force portrayal in The Straight Story (1999). Show less «
[about his fellow stuntman, the legendary Boyd Stockman] One of the most underrated stuntmen ever . ...Show more »
[about his fellow stuntman, the legendary Boyd Stockman] One of the most underrated stuntmen ever . . . one of the best all-around hands. Show less «
I worked for Sam Peckinpah on quite a bit of action in his films, and he got excited once in a while...Show more »
I worked for Sam Peckinpah on quite a bit of action in his films, and he got excited once in a while. Show less «
I worked with Cecil B. DeMille quite a few times.
I worked with Cecil B. DeMille quite a few times.
I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh--I worked for some real good direc...Show more »
I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh--I worked for some real good directors. Show less «
But I don't really care for directors flaring up and trying to humble some actor, which they would d...Show more »
But I don't really care for directors flaring up and trying to humble some actor, which they would do to try and make an example out of them so everybody else would stay on the ball--and [David Lynch] wasn't anything like that. Show less «
David Lynch was very good, very patient with us, and the reaction in the United States seems pretty ...Show more »
David Lynch was very good, very patient with us, and the reaction in the United States seems pretty good. Show less «
[about The Ten Commandments (1956)] I don't know if you saw the parting of the Red Sea with the char...Show more »
[about The Ten Commandments (1956)] I don't know if you saw the parting of the Red Sea with the chariots on the horses, I did stuff like that. Show less «
No, I didn't audition, I didn't even know David Lynch until the week before I started the film.
No, I didn't audition, I didn't even know David Lynch until the week before I started the film.