Birthday: 23 November 1924, San Francisco, California, USA
Birth Name: Paula Ramona Wright
Height: 168 cm
American leading woman of films and television in the 1950s, whose career was hampered by injuries. Raised in San Francisco, she studied music, dance, and opera as a child. She made her film debut as a child by chance in 1937 during a visit to Los Angeles. She remained to attend Hollywood High School and to appear in local theatre productions. She ...
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American leading woman of films and television in the 1950s, whose career was hampered by injuries. Raised in San Francisco, she studied music, dance, and opera as a child. She made her film debut as a child by chance in 1937 during a visit to Los Angeles. She remained to attend Hollywood High School and to appear in local theatre productions. She returned to San Francisco for studies at San Francisco Junior College and, while there, entered into a brief marriage. Divorced, she came back to Hollywood and modeled. Although contracted to Paramount in 1947, she was released without working there and signed instead with Columbia. She made numerous television appearances and low-budget features before MGM signed her and began placing her in more important projects. Despite good notices and some successful films, she was eventually released from her contract. She made several unimportant pictures as a freelancer, then left the industry in 1955. She worked a number of non-film related jobs under a variation of her married name, then returned to acting in 1958. She had a long string of success in television which was shattered in a 1962 car crash. She was very nearly killed and had severe facial damage, requiring massive plastic surgery. Her beauty miraculously recovered, she managed to return to acting within a year and appeared occasionally into the 1970s. A series of subsequent falls injured her repeatedly, and she moved into business interests, though remaining an actor at heart. Show less «
[in 1960, about her career decline] I wasn't happy with my career and when my long-term contract at ...Show more »
[in 1960, about her career decline] I wasn't happy with my career and when my long-term contract at MGM was over I decided to go to USC. Among other things I studied cinematography. Being busy is the best beauty tonic I know. Show less «
I was just filling space. I was not given many acting roles. I didn't want to work, but I had a daug...Show more »
I was just filling space. I was not given many acting roles. I didn't want to work, but I had a daughter to support. I became an actress because it was the only way I knew to earn a living. I wasn't trying to be a glamour movie star. Show less «
[about Robert Taylor, with whom she worked in Devil's Doorway (1950)] He felt inferior to his wife, ...Show more »
[about Robert Taylor, with whom she worked in Devil's Doorway (1950)] He felt inferior to his wife, Barbara Stanwyck. When he went to war, her career really took off. Once, Tony [director Anthony Mann] showed me a note Bob had sent. He signed it, "Mr. Barbara Stanwyck". Show less «