Lovely, slender, and sensuous raven-haired knockout Laurette Marcia Gemser was born on October 5, 1950 in Java, Indonesia. In 1955 Gemser left Indonesia at age four and moved with her parents to the Netherlands. Laura grew up in the Dutch city of Utrecht and attended Mulo Regentesseschool high school. She studied fashion design at the Artibus Art S...
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Lovely, slender, and sensuous raven-haired knockout Laurette Marcia Gemser was born on October 5, 1950 in Java, Indonesia. In 1955 Gemser left Indonesia at age four and moved with her parents to the Netherlands. Laura grew up in the Dutch city of Utrecht and attended Mulo Regentesseschool high school. She studied fashion design at the Artibus Art School in Utrecht. Gemser first gained public recognition with her nude modeling in various men's magazines in Belgium and the Netherlands. The exotic dark-haired beauty moved to Italy in the mid-1970's and made her film debut as Janine in the obscure Amour libre (1974). However, it was Laura's small, but memorable role as a masseuse in Emmanuelle: L'antivierge (1975) that really launched her career in racy soft-core exploitation fare. Gemser achieved her greatest enduring international cult popularity with her incredibly erotic and uninhibited portrayals of the titular hedonistic and sexually adventurous globe-trotting photojournalist in the steamy "Black Emanuelle" series that were often directed by the notorious Joe D'Amato and frequently co-starred Gemser's real-life actor husband Gabriele Tinti. Other notable parts include charismatic cult leader the Divine One in Camp d'amour (1981), evil sorceress Indun in Ator l'invincibile (1982), and compassionate mutant telepath Lilith in Le gladiateur du futur (1983). Outside of acting, Laura also worked on a handful of movies as a costume designer. Gemser quit the motion picture business in the early 1990's and still lives in Italy. Show less «
[on her Emanuelle series] It seemed like [...] one long, long movie that didn't end. You know, it wa...Show more »
[on her Emanuelle series] It seemed like [...] one long, long movie that didn't end. You know, it was always... the same story, the same things happen, and... I just think it's one [...] big movie. Show less «
I saw [Black Emanuelle (1975)] because I was curious. But then... but then, I felt bad, because [......Show more »
I saw [Black Emanuelle (1975)] because I was curious. But then... but then, I felt bad, because [...] I refused a lot of scenes. They put a stand-in [into those scenes], and I didn't know. So when I saw the movie, [...] I rather felt bad. Show less «
Any excuse is good to... get naked.
Any excuse is good to... get naked.
When [Black Emanuelle (1975)] came out, there was a big poster with me on it, and I was naked [...]....Show more »
When [Black Emanuelle (1975)] came out, there was a big poster with me on it, and I was naked [...]. And there was one day out, and they censored it. [...] They took it off, and so... people are curious to see now. [...] And it's only twenty years ago, or maybe. So nowadays, you see, everywhere, you see, I mean, even in TV, you see everything. [...] In those days, it was rather [scandalous]. Show less «
It's hard to make love with a [woman]. I mean, it's... it's really hard. But, you know, you get paid...Show more »
It's hard to make love with a [woman]. I mean, it's... it's really hard. But, you know, you get paid for it, so you do it. You just... do it! Show less «