James Byron Dean was born February 8, 1931 in Marion, Indiana, to Mildred Marie (Wilson) and Winton A. Dean, a farmer turned dental technician. His mother died when Dean was nine, and he was subsequently raised on a farm by his aunt and uncle in Fairmount, Indiana. After grade school, he moved to New York to pursue his dream of acting. He received ...
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James Byron Dean was born February 8, 1931 in Marion, Indiana, to Mildred Marie (Wilson) and Winton A. Dean, a farmer turned dental technician. His mother died when Dean was nine, and he was subsequently raised on a farm by his aunt and uncle in Fairmount, Indiana. After grade school, he moved to New York to pursue his dream of acting. He received rave reviews for his work as the blackmailing Arab boy in the New York production of Gide's "The Immoralist", good enough to earn him a trip to Hollywood. His early film efforts were strictly small roles: a sailor in the Dean Martin and Jerry Lewis overly frantic musical comedy Sailor Beware (1952); a GI in Samuel Fuller's moody study of a platoon in the Korean War, Fixed Bayonets! (1951) and a youth in the Piper Laurie-Rock Hudson comedy Has Anybody Seen My Gal (1952).He had major roles in only three movies. In the Elia Kazan production of John Steinbeck's East of Eden (1955) he played Cal Trask, the bad brother who could not force affection from his stiff-necked father. His true starring role, the one which fixed his image forever in American culture, was that of the brooding red-jacketed teenager Jim Stark in Nicholas Ray's Rebel Without a Cause (1955). George Stevens' filming of Edna Ferber's Giant (1956), in which he played the non-conforming cowhand Jett Rink who strikes it rich when he discovers oil, was just coming to a close when Dean, driving his Porsche Spyder race car, collided with another car while on the road near Cholame, California on September 30, 1955. He had received a speeding ticket just two hours before. At age 24, James Dean was killed almost immediately from the impact from a broken neck. His very brief career, violent death and highly publicized funeral transformed him into a cult object of apparently timeless fascination. Show less «
[to Hedda Hopper] Trust and belief are two prime considerations. You must not allow yourself to be o...Show more »
[to Hedda Hopper] Trust and belief are two prime considerations. You must not allow yourself to be opinionated. You must say, "Wait. Let me see". And above all, you must be honest with yourself. Show less «
You can't show some far off idyllic conception of behavior if you want the kids to come and see the ...Show more »
You can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds. Show less «
My purpose in life does not include a hankering to charm society.
My purpose in life does not include a hankering to charm society.
[on raising children and teenagers] I think the one thing this picture shows that's new is the psych...Show more »
[on raising children and teenagers] I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too. Show less «
An actor must interpret life and, in order to do so, must be willing to accept all the experiences l...Show more »
An actor must interpret life and, in order to do so, must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art. Show less «
Dream as if you'll live forever. Live as if you'll die today.
Dream as if you'll live forever. Live as if you'll die today.
It was an accident, although I've been involved in some kind of theatrical function or other since I...Show more »
It was an accident, although I've been involved in some kind of theatrical function or other since I was a child: in school, music, athletics. To me, acting is the most logical way for people's neuroses to manifest themselves, in this great need we all have to express ourselves. To my way of thinking, an actor's course is set even before he's out of the cradle. Show less «
[on the risk of racing cars] What better way to die? It's fast and clean and you go out in a blaze o...Show more »
[on the risk of racing cars] What better way to die? It's fast and clean and you go out in a blaze of glory! Show less «
Being an actor is the loneliest thing in the world. You are all alone with your concentration and im...Show more »
Being an actor is the loneliest thing in the world. You are all alone with your concentration and imagination, and that's all you have. Show less «
Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done.
Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done.
If a man can bridge the gap between life and death... I mean, if he can live on after his death, the...Show more »
If a man can bridge the gap between life and death... I mean, if he can live on after his death, then maybe he was a great man. Show less «
Only the gentle are ever really strong.
Only the gentle are ever really strong.
The cinema is a very truthful medium because the camera doesn't let you get away with anything. On s...Show more »
The cinema is a very truthful medium because the camera doesn't let you get away with anything. On stage you can even loaf a little, if you're so inclined. Show less «
(When speaking to a friend) Death can't be considered, because if you're afraid to die there's no ro...Show more »
(When speaking to a friend) Death can't be considered, because if you're afraid to die there's no room in your life to make discoveries. Show less «
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instr...Show more »
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons. Show less «
The only greatness for man is immortality.
The only greatness for man is immortality.
[when told he was too short to be an actor] How can you measure acting in inches?
[when told he was too short to be an actor] How can you measure acting in inches?
[on acting] You can do "Hamlet" while performing cartwheels... as long as the audience sees your eye...Show more »
[on acting] You can do "Hamlet" while performing cartwheels... as long as the audience sees your eyes - you can make the performance real. Show less «
I think I am going to make it because on one hand I am like Clift saying help me and of the other ha...Show more »
I think I am going to make it because on one hand I am like Clift saying help me and of the other hand I am Brando saying, "Screw you!", and somewhere in between is "James Dean". Show less «
There is no way to be truly great in this world. We are all impaled on the crook of conditioning.
There is no way to be truly great in this world. We are all impaled on the crook of conditioning.
To me, acting is the most logical way for people's neuroses to manifest themselves.
To me, acting is the most logical way for people's neuroses to manifest themselves.
I think the prime reason for existence, for living in this world, is discovery.
I think the prime reason for existence, for living in this world, is discovery.
Studying cows, pigs and chickens can help an actor develop his character. There are a lot of things ...Show more »
Studying cows, pigs and chickens can help an actor develop his character. There are a lot of things I learned from animals. One was that they couldn't hiss or boo me. I also became close to nature and am now able to appreciate the beauty with which this world is endowed. Show less «
Gratification comes in the doing, not in the results.
Gratification comes in the doing, not in the results.
To grasp the full significance of life is the actor's duty; to interpret it his problem and to expre...Show more »
To grasp the full significance of life is the actor's duty; to interpret it his problem and to express it his dedication. Being an actor is the loneliest thing in the world. You are all alone with your concentration and imagination, and that's all you have. Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done. Show less «
[Being asked about his sexual orientation] No, I am not a homosexual. But, I'm also not going to go ...Show more »
[Being asked about his sexual orientation] No, I am not a homosexual. But, I'm also not going to go through life with one hand tied behind my back. Show less «