Birthday: 14 September 1910, Wood Green, London, England, UK
Birth Name: John Edward Hawkins
Height: 181 cm
In Britain, special Christmas plays called pantomimes are produced for children. Jack Hawkins made his London theatrical debut at age 12, playing the elf king in "Where The Rainbow Ends". At 17, he got the lead role of St. George in the same play. At 18, he made his debut on Broadway in "Journey's End". At 21, he was back i...
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In Britain, special Christmas plays called pantomimes are produced for children. Jack Hawkins made his London theatrical debut at age 12, playing the elf king in "Where The Rainbow Ends". At 17, he got the lead role of St. George in the same play. At 18, he made his debut on Broadway in "Journey's End". At 21, he was back in London playing a young lover in "Autumn Crocus". He married his leading lady, Jessica Tandy. That year he also played his first real film role in the 1931 sound version of Alfred Hitchcock's The Lodger (1932). During the 30s, he took his roles in plays more seriously than the films he made. In 1940, Jessica accepted a role in America and Jack volunteered to serve in the Royal Welsh Fusiliers. He spent most of his military career arranging entertainment for the British forces in India. One of the actresses who came out to India was Doreen Lawrence who became his second wife after the war. Alexander Korda advised Jack to go into films and offered him a three-year contract. In his autobiography, Jack recalled: "Eight years later I was voted the number one box office draw of 1954. I was even credited with irresistible sex appeal, which is another quality I had not imagined I possessed." A late 1940s film, The Black Rose (1950), where he played a secondary role to Tyrone Power, would be one of his most fortunate choices of roles. The director was Henry Hathaway who Jack said was "probably the most feared, yet respected director in America, for he had a sharp tongue and fired people at the drop of a hat. Years later, after my operation when I lost my voice, he went out of his way to help me get back into films. What I did not know was that during the filming of 'The Black Rose' he was himself suffering from cancer." In the 1950s came the film that made Hawkins a star, The Cruel Sea (1953). Suffering from life long real life sea sickness, he played the captain of the Compass Rose. After surgery for throat cancer in 1966, requiring the removal of his larynx, Jack continued to make films. He mimed his lines and the voice was dubbed by either Charles Gray or Robert Rietty. His motto during those last years came from Milton's "Comus", a verse play in which he acted early in his career in Regent's Park. The lines: "Yet where an equal poise of hope and fear does arbitrate the event, my nature is that I incline to hope, rather than to fear." Show less «
Every time an army, navy or air force part comes up they throw it at me. There is nothing left now b...Show more »
Every time an army, navy or air force part comes up they throw it at me. There is nothing left now but the women's services! (1956) Show less «
I think that no actor should take Hollywood too seriously; but at the same time it would be wrong to...Show more »
I think that no actor should take Hollywood too seriously; but at the same time it would be wrong to underestimate its professionalism. Really, Hollywood is a caricature of itself, and in particular this is true of the front-office types at the studios. Their enthusiasm towards you is measured precisely to match the success of your last film. Show less «
All of us in the film were sure that we were making something quite unusual, and a long way removed ...Show more »
All of us in the film were sure that we were making something quite unusual, and a long way removed from the Errol Flynn-taking-Burma-single-handed syndrome. This was the period of some very indifferent American war movies, whereas The Cruel Sea (1953) contained no false heroics. That is why we all felt that we were making a genuine example of the way in which a group of men went to war. Show less «
I adored it from the first moment. The excitement, the thrill, the smell of the theatre went right d...Show more »
I adored it from the first moment. The excitement, the thrill, the smell of the theatre went right down to one's toes. Show less «
[asked why he risked his reputation on the TV series The Four Just Men (1959)] I risk my reputation ...Show more »
[asked why he risked his reputation on the TV series The Four Just Men (1959)] I risk my reputation every time, why not on TV? Show less «
[replying to criticism of his portrayal of Gen. Sir Edmund Allenby in Lawrence of Arabia (1962)] I a...Show more »
[replying to criticism of his portrayal of Gen. Sir Edmund Allenby in Lawrence of Arabia (1962)] I agree that the character has been slanted slightly, but Lady Allenby must remember that this is a film about Lawrence - not the Field Marshall. Show less «
Above all, I was taught to love and respect words. Each word had to be the right word; and each had ...Show more »
Above all, I was taught to love and respect words. Each word had to be the right word; and each had to be spoken in a way that its weight and importance demanded. Show less «
[on La Fayette (1961)] A totally forgettable film . . . the only bit of acting I have ever done sole...Show more »
[on La Fayette (1961)] A totally forgettable film . . . the only bit of acting I have ever done solely for the money. Show less «