Born in Palestine before the inception of the Israeli state in the city of Haifa, she first distinguished herself by winning one of the first beauty contests in the nascent Israel. Haya Harareet (also spelled Hararit) made her debut in Thorold Dickinson's film Giv'a 24 Eina Ona (1955) ("Hill 24 Doesn't Answer"). The landmar...
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Born in Palestine before the inception of the Israeli state in the city of Haifa, she first distinguished herself by winning one of the first beauty contests in the nascent Israel. Haya Harareet (also spelled Hararit) made her debut in Thorold Dickinson's film Giv'a 24 Eina Ona (1955) ("Hill 24 Doesn't Answer"). The landmark Israeli film, mostly in English, is also the first feature-length production to be shot and processed entirely in Israel, and made for international distribution. The film was an official selection at the 1955 Cannes Film Festival and Harareet won an award for her role in the film. She plays Miriam Mizrahi, a fourth generation, dark-eyed and beautiful Sabra, working for the underground.Best-known for her role as Esther, opposite Charlton Heston in William Wyler's film classic Ben-Hur (1959), she also played in Francesco Maselli's La donna del giorno (1957) ("The Doll that Took the Town") with Virna Lisi, _Edgar G. Ulmer''s Antinea, l'amante della città sepolta (1961) ("Journey Beneath The Desert", AKA "The Lost Kingdom")with Jean-Louis Trintignant, and Basil Dearden's The Secret Partner (1961) with Stewart Granger. She cowrote the screenplay for Our Mother's House (1967) which starred Dirk Bogarde.Ms. Harareet was also credited as a presenter for 'Best Special Effects' at the 32nd Annual Academy Awards in 1960.She was married to the British film director Jack Clayton until his death in 1995. Show less «
[on being typecast] I am not Esther of Ben-Hur (1959). I am an actress who played the part of Esther...Show more »
[on being typecast] I am not Esther of Ben-Hur (1959). I am an actress who played the part of Esther. But that doesn't mean I have to go on playing Esther for the rest of my life. Show less «
[1961] I finished my contract with MGM on Nov. 11 and this picture [The Interns (1962)] came up imme...Show more »
[1961] I finished my contract with MGM on Nov. 11 and this picture [The Interns (1962)] came up immediately. That is a good sign. Show less «
MGM treated me as a father would have treated me. I was well taken care of. But I was not allowed to...Show more »
MGM treated me as a father would have treated me. I was well taken care of. But I was not allowed to grow up. They could think of me only in terms of Biblical pictures. Other studios did not know me as a person, so they thought of me in the same way. Show less «
It was quite a triumph to return to London four years later as the star of Ben-Hur (1959). My bathro...Show more »
It was quite a triumph to return to London four years later as the star of Ben-Hur (1959). My bathroom at the Claridges Hotel was much larger than my old bedroom in the boarding house. Show less «
[on success] Of course there is always fate, but I think there is more hard work and good judgment i...Show more »
[on success] Of course there is always fate, but I think there is more hard work and good judgment in good luck than most people realize. Show less «
[1962] I would like to make a picture with a very good director. Films are really a director's mediu...Show more »
[1962] I would like to make a picture with a very good director. Films are really a director's medium. But good directors seem to be rare these days. Show less «