Birthday: 22 March 1949, Saumur, Maine-et-Loire, France
Birth Name: Fanny Marguerite Judith Ardant
Height: 174 cm
Fanny Ardent was the youngest of 5 children born to a cavalry officer and his wife. She was raised in Monte Carlo where she was educated at a convent school. A voracious reader, she discovered Proust at age 15 and felt as though his writings were for her.When she was 17 her father died and the shock of his loss never left her. Shortly before his de...
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Fanny Ardent was the youngest of 5 children born to a cavalry officer and his wife. She was raised in Monte Carlo where she was educated at a convent school. A voracious reader, she discovered Proust at age 15 and felt as though his writings were for her.When she was 17 her father died and the shock of his loss never left her. Shortly before his death Ardant started acting on stage. However following her father's death she followed his advice and went to university in Aix-en-Provence where she read Political Science. Upon graduation she took a job working for the French embassy in London from which she was sacked for poor time keeping and being dishevelled. The latter was attributed to the social whirl she enjoyed in London.Ardant continued working odd jobs in London before deciding, almost on a whim, to go to drama school. She returned to France for her studies and before long began acting on stage and then on television. At the age of 31 she was contacted by Francois Truffaut who had spotted her in a television drama and wanted to cast her in his film The Woman Next Door (1981).While working together Ardant and Truffaut fell in love and in 1983 she gave birth to their daughter Josephine. Truffaut died a year later from a brain tumour. Show less «
[on undertaking a role] If you prepare too much, after a while you are not surprised any more by the...Show more »
[on undertaking a role] If you prepare too much, after a while you are not surprised any more by the way the man - the husband or the lover - is going to look at you, to smile at you, to answer you. It's better to be available. Show less «
I think it will become more and more normal to see older actors because the population is becoming m...Show more »
I think it will become more and more normal to see older actors because the population is becoming more and more older. It's like wine, cinema. Show less «
[on François Truffaut] For him, film was a matter of life and death. He used to say, "In films, tra...Show more »
[on François Truffaut] For him, film was a matter of life and death. He used to say, "In films, trains never run late" - I love that. Film was his salvation because in film everything has a meaning. Life is chaotic but in cinema you can stop time. François used to say, "Those who love life, love cinema." That's for sure. Show less «
[answering a question about what she wants to do before she passes] I would like to be a hairdresser...Show more »
[answering a question about what she wants to do before she passes] I would like to be a hairdresser - a shop in a small village in Italy, Sicily. Sometimes I dream about it. I would cut the hair of everyone - from the priest to the Mafioso, the beautiful lady and the young girl in the wedding. It would be the most important place in the village. Show less «
The reason I never married is because my mother and father really loved each other, so we were a per...Show more »
The reason I never married is because my mother and father really loved each other, so we were a perfect family. Little House on the Prairie (1974) was bullshit compared to us. I think I was afraid of not measuring up to that. For me, a successful marriage is something to be revered. Real closeness between a man and a woman, a real family where you can argue and laugh, that's like Notre dame or Westminster Abbey - a 'chef d'oeuvre'. It's hard to achieve. Show less «
When I read the synopsis of La femme d'à côté (1981) I was completely stunned by...Show more »
When I read the synopsis of La femme d'à côté (1981) I was completely stunned by the idea that you could die of love. The only thing I've ever believed in, at the risk of seeming sentimental, is love. If I'm at a boring dinner I always ask the man next to me, whether he's an ambassador or the President of the Republic: "Do you love your wife?" It's the only interesting subject. Show less «
The strength of the French cinema [is that] the director puts the woman in the middle of the story. ...Show more »
The strength of the French cinema [is that] the director puts the woman in the middle of the story. And if you look at French literature carefully - Balzac, Flaubert, Stendahl - always look for the woman. Show less «
[on Gérard Depardieu] I love him because he has an incredible feminine side, finesse and intelligen...Show more »
[on Gérard Depardieu] I love him because he has an incredible feminine side, finesse and intelligence - he's not a great crashing macho, even if he is arrogant. Show less «