Birthday: December 11, 1947 in Los Angeles, California, USA
Birth Name: Elizabeth Ellen Baur
This lovely, blue-eyed Los Angeles native had a brief but successful television career in the 1970s. Her ancestors, going back five generations, boasted well-established roots in California. They were one of the wealthiest families before selling off vast real estate holdings in Encino and Beverly Hills, ultimately failing to anticipate the coming ...
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This lovely, blue-eyed Los Angeles native had a brief but successful television career in the 1970s. Her ancestors, going back five generations, boasted well-established roots in California. They were one of the wealthiest families before selling off vast real estate holdings in Encino and Beverly Hills, ultimately failing to anticipate the coming boom. One of her forebears, a great grandmother, hailed from the Basque region of France and was one of the original pioneer settlers in the San Fernando Valley. Elizabeth's father, Jack Baur, was a veteran casting director at 20th Century Fox. Perhaps over-protective -- having been for many years on the inside of a tough and competitive profession -- he strongly disapproved of his daughter's ambitions and provided little or no help in establishing her in the acting profession.Despite the absence of formal drama education at high school, Elizabeth (at that time desperate to becoming a 'cow girl' in westerns) remained undeterred and made her screen bow in a corn flakes commercial opposite Jimmy Durante. Eventually, she studied acting at the Estelle Harman Actor's Workshop and then went on to obtain a degree in theatre arts from Los Angeles Valley College. She then made the bold move of enrolling in a talent training program at her father's studio. This finally led to a short-term contract. She began her career with bit roles in Batman (1966) and L'étrangleur de Boston (1968) before landing a recurring role as a rancher's (Andrew Duggan's) ward in Le ranch L (1968) made for CBS. The series ran for 51 episodes but was hamstrung by being conceptually too similar to NBC's long-running (and more popular) Bonanza (1959). Apparently, Elizabeth did not find her work on Lancer especially taxing as it still permitted her to take on guest spots on other TV shows as well as engaging in her favorite pastimes: playing golf (at which she was apparently quite good) and painting.The high point of her career came in 1971 when she won out over 100 other hopefuls auditioning for the role of Officer Fran Belding in TV's L'homme de fer (1967), replacing Barbara Anderson who departed the show after season four. She was (in her own words) 'thrilled' to get the part which she later described as her most challenging role. Elizabeth went on to play her likeable, down-to-earth character in 89 episodes. After several years of relative inactivity she made her screen swansong in the made-for-TV movie Le Retour de l'Homme de fer (1993). Show less «
[When she chose to study acting]: My family finally agreed to let me attend Estelle Harmon's classes...Show more »
[When she chose to study acting]: My family finally agreed to let me attend Estelle Harmon's classes, figuring I was only going through a phase and would quickly grow out of it. I guess they figured a few classes with Estelle would prove I didn't really have talent. Show less «
After Le ranch L (1968) went off, I went on auditions for roles I know I should have won. But I didn...Show more »
After Le ranch L (1968) went off, I went on auditions for roles I know I should have won. But I didn't get them. Finally, I called my agent and asked him what I was doing wrong. He checked and called back to tell me the producers felt I "didn't have enough energy". I just walked in quietly, introduced myself, then got to the reading. Well, the next interview after that, I really was so embarrassed. I went into that office bouncing off the walls, being the jerk of the century. I felt so phony and I made a complete ass of myself. But I got the part and I have gotten every one since then. You just have to be bigger than life in an audition. Also, in TV, so many people are so insecure. They have to see a performer as the person they are casting. They haven't time to visualize you in the role. Show less «
[About the characters' feelings on L'homme de fer (1967)]: Everyone else had their little inside jok...Show more »
[About the characters' feelings on L'homme de fer (1967)]: Everyone else had their little inside jokes, their understanding looks among themselves. They had their characters completely pat. I had to come in and establish myself within the workings of the group, without being too obvious about it. Show less «
Every once in a while I think I'll get a place of my own. But it's really very expensive. I know tha...Show more »
Every once in a while I think I'll get a place of my own. But it's really very expensive. I know that's the biggest cop-out of all time. But I care for my parents and we really get on. Show less «
[on her own L'homme de fer (1967) character]: And unlike Barbara Anderson's rich girl image, I play ...Show more »
[on her own L'homme de fer (1967) character]: And unlike Barbara Anderson's rich girl image, I play the daughter of a police captain who was killed and framed by gamblers. I'm out to clear his name and that's why I go to Ironside. Ironside knew my father and knew me since I was a child. Show less «
[When she was excited on getting her role on L'homme de fer (1967)]: My first day on the set. I thou...Show more »
[When she was excited on getting her role on L'homme de fer (1967)]: My first day on the set. I thought to myself, 'Wow! I'm working with Raymond Burr!' I got the shakes, and couldn't remember a line. This is the hardest work I've ever done; I think being a regular on a show is the hardest thing you can do. Not that you're just background - on Ironside everybody's involved - but you do generally do the same things every show; you have to keep up some kind of energy in your character. Show less «