Katie Harwood
Contents [hideshow] 1. Overview - 2. Background 3. Synopsis 4. Symbolic & Religious Implications 5. Dichotomy and Contrasts 6. Katie's Significance 7. Sources Overview -Katherine Katie Harwood is a fictitious character in the 2002 film Ghost Ship where an innocent young girl goes on a sea voyage of a lifetime, only to be caught up in a li... Show more »
Contents [hideshow] 1. Overview - 2. Background 3. Synopsis 4. Symbolic & Religious Implications 5. Dichotomy and Contrasts 6. Katie's Significance 7. Sources Overview -Katherine Katie Harwood is a fictitious character in the 2002 film Ghost Ship where an innocent young girl goes on a sea voyage of a lifetime, only to be caught up in a living nightmare aboard the ill-fated ocean liner. In the film, Katie is the supporting deuteragonist to the main character, (Maureen Epps) and stands in stark contrast to the completely evil and demonic antagonist, (). In many regards, Katie is considered just as much of a heroine as Epps for enduring unfathomable suffering and risking the wrath of through her unyielding efforts to save the souls and lives of others on the ship. Katie is portrayed by a young Emily Jane Browning.BackgroundThe following information on Katie is derived from official movie production notes, transcripts, interviews with cast and crew and from the DVD itself.Age: Approximately 12 years old (even after 40 years)Interests: Drawing/sketching, reading, dolls, puzzles, games, nice dresses and making friendsRole in story: Trying to save the lives (and souls) of others from evilPhysical appearance: Katie looks and dresses fairly typically for a young, upper-middle class girl in 1962. Katie's features are very soft and youthful with a thin build, deep hazel-grey eyes, a button-like nose and long flowing brown hair with a tinge of auburn. Katie wears a tea-length pastel blue taffeta dress (made by her mother) with a lacy organza overlayPersonality: Katie is described as, a very sweet and kind-hearted girl. She is somewhat timid until she feels a sense of trust, but still outgoing and possesses an amiable temperament. Later traumatized by horrific events, Katie exhibits feelings of solemn distress, but resiliently remains the same person underneathOccupation: Child, grade school student, and later orphan and spiritFamily: Parents - Mother and Father Harwood (later deceased)Siblings - An earlier account reveals Katie had an older sister (altered from first draft of Chimera and not mentioned in final version of film)Grandparents - Grandmother and Grandfather Harwood (later deceased)Religion: ChristianNationality: England (but moving to the United States)SynopsisIn May of 1962, an endearing Katie waves goodbye to her grandparents in Europe and journeys solo aboard the exquisite Antonia Graza on an exclusive cruise to rejoin her family in New York. Since Katie is the only child onboard, she receives special care and attention. In describing her voyage Katie states, The whole ship was my playground...I was the only child onboard, so the ship's purser and captain took special care of me. I felt so safe and happy with them. However, after the Antonia Graza rescues a lone survivor and cargo from a sinking ship, Katie's exciting journey suddenly takes a horrendous turn for the worse. Unbeknownst to Katie and her shipmates, the single survivor () is literally a demonic henchman for Satan set on destroying lives and collecting souls. Ferriman informs select members of the crew about the millions in gold recovered from his sinking ship, and influences them to launch an elaborate plot to seize control of the Graza and the gold, by killing everyone onboard. Although several crewmembers and passengers try to save her life from the murderous conspirators, Katie is eventually caught and tragically hanged to death, with her body concealed behind the partitioning door of her cabin.Instead of ascending to her rightful place in heaven, Katie's spirit is trapped on the ship by demonic forces along with the entire compliment of murdered passengers and crew. However, since Katie is still a young child, her soul is completely innocent and therefore beyond the influence and control of the demonic Ferriman. Over the next 40 years, the evil Ferriman along with the help of the wicked marked souls, try to use the ship as a trap to destroy unsuspecting lives, and collect a quota of souls for hell.Despite being the only flicker of good on the ship, Katie bravely opposes Ferriman and the evil spirits, and attempts to warn and save the lives of anyone who has the misfortune of being lured aboard the condemned vessel. Concerning these things, Katie says, The others are damned because of the mark - A sign of their sins. Without the mark he can't control me like he does the others and because of this, Jack hates me most of all...Always terrorizing me and frightening me away when I try to warn those who come here. When Epps and her ship salvaging crew are lured aboard the Graza by Ferriman, Katie attempts to warn them about the dangerous ship. Katie has very perceptive eyes, and finds Epps to be more open to the truth than her cohorts. Katie tries to leave Epps subtle messages and clues, and even appears to her on several occasions. When Katie senses that Ferriman has sabotaged the salvage crew's tugboat, she boldly tries to warn the crew, but is forcibly carried away by Ferriman. Epps witnesses Katie's warning and sets off in search for the mysterious and very out of place girl.Epps locates Katie's cabin and comes face to face with her remains and her spirit. Katie allows Epps to have her cherished heart-shaped locket, and then proceeds to speak directly about the ship being a demonic trap. However, before Katie can finish explaining, she is overheard by an invisible Ferriman and lets out a frightened scream as he removes her from the cabin. Shaken, but undeterred, Katie returns and tries to help Epps and her remaining crewmembers escape.Endowed with supernatural power from above, Katie transports Epps back to May 21, 1962 through her memories and reveals to her the horrifying events that led to everyone's death, including her own. Furthermore, Katie reveals the true identity of and his goal to use the ship as a conduit to collect souls for Satan.After experiencing Katie's heartbreaking vision, Epps decides to risk almost certain death by destroying the cursed ship with explosives. However, Katie helps Epps escape the rapidly sinking vessel, while emancipated souls rise from the ship. Freed from the ship's evil, Katie stays faithfully by Epps and gives her a grateful smile as her spirit ascends toward heaven.Symbolic & Religious ImplicationsAt its core, Katie's story is deeply religious as the plot hinges on the concept of the young girl trying to save the lives (and ultimately souls) of others from demonic forces.Metaphorical Murals: One of the more obvious religious connections comes through the Gustave Dore inspired murals displayed throughout the ship. The murals are depictions based on Dante's Divine Comedy and The Inferno. The metaphorical murals hint at the struggle between Katie and Ferriman over the lives and souls on the ship. Actress Julianna Margulies says, Katie is like Virgil in Dante's Inferno. Margulies explains Katie is like a little guide trying to lead others through hell and then safely onto the other side. As in the mural, Ferriman is literally a ferry man using a boat in the attempt to ferry souls to hell and eternal damnation. Conversely, Katie opposes Ferriman by trying to protect and warn all unsuspecting visitors and sharing the truth about the demonic ship.The Dove and Locket: Another subtle, but implicit religious symbol is Katie's heart-shaped locket with the image of a raised dove in flight. In Christian tradition, this type of dove often symbolized innocence, purity, faith, hope, peace, God's presence through the Holy Spirit and God's guidance and deliverance. The dove also indicated God's bestowal of fortitude necessary to bear suffering and death. In this sense, the remains of the dead dove on the bridge of the ship, foreshadows Katie's death, but at the same time might indicate that there could still be hope. When Epps puts on Katie's locket, it implies Epps now has a renewed heart, or possibly even salvation. In this manner, the locket could also represent that Epps' soul is not marked .Concept of Free Will: Free will is both discussed and demonstrated in the story. Ultimately, the crew members who die are led to destruction by their own sins and their selfish desire for greed, lust and power. Epps is spared the fate of her shipmates through listening to Katie's warnings and humbly responding to the truth.Parallel of an Innocent and Sacrificial Life: Some have suggested that a striking striking parallel could also be drawn between Katie and Jesus Christ. In Christianity, Christ lives a completely innocent life, but is hung on a cross to sacrificially die for the sins of all humanity. Christ tastes the sting of death and hell in order to offer salvation to all who will put their faith in Him. Similarly, innocent Katie is hung by a rope behind a dividing door, but through her death she is able to lead others to salvation and safety.Because of her young age and innocent death, Katie is the only sure voice of hope for all the suppressed souls held captive on the demonic ship - Had she not died, there would have been no one to help others such as Epps escape. Katie also endures small tastes of hell from Ferriman in her efforts to save others. However, Katie's love and compassion for the lives of others is greater than her fear and pain, and in similarity to Christ, Katie rises victoriously to heaven in the end.Purgatory: The concept of purgatory is also mentioned when Katie states that the ship had become like a prison where souls are trapped among the living between heaven and hell.Forty Years and the Promised Land: 40 years is a significant reoccurring number in the Christian faith.The Israelites endured 40 years of great trial and testing in the wilderness before they were able to enter their promised land of rest. In Judeo/Christian tradition, the earthly life is often compared to a time of trial in the wilderness and the Promised Land a metaphor for heaven. Correspondingly, Katie has endured the wilderness and trials of the ship for 40 years, but as the result of Epps' help she is inevitably freed to enter the promised land of heaven.Elevated Status of Children: In Christianity, God often uses the most humble and unlikely of people to work through. Out of hundreds on the ship, Katie is the meekest, humblest and most unlikely to do anything significant, yet every soul on the ship ends up depending on her. A heart of child-like faith will put one on the path to salvation (safety), but a sinful life eventually leads to destruction. This concept is demonstrated by Epps' willingness to humble herself to Katie's level.Loving Others before Ourselves: Katie and Epps are both willing put themselves at risk to save lives. Through the process of trying to help others, both Epps and Katie experience help for themselves.Symbols of Changing Times: According to director Steve Beck, the once elegant and decaying ship is a symbol of changing times. In a similar manner, Katie can be viewed as a symbolic representation of childhood from a more innocent era. Just as the ship decays to ruin from its glorious 1950's splendor, Katie's deteriorating childhood possessions and even Katie herself, are evocative symbols of changing times and eroding childhood innocence.Life as a Voyage on a Ship: Life itself can be comparable to a voyage on ship (which has many implications) illustrating that our lives are like a ship which is bound for one of two possible destinations. In the context of Ghost Ship, the voyage ends in destruction (death and hell) unless people get off. In this sense, Katie pleads with others to get off, but this involves a humble changing ways and giving up the allure and pursuit of vain things such as wealth and power.Dichotomy and ContrastsUnderneath the basic plot, Ghost Ship is a highly symbolic and metaphorical story filled with contrasting images, symbols, themes and characters. In many ways the characters in the story could be considered symbolic or representational of certain types of people or groups. Thus, to better understand the characters is to better understand their purpose and application within the context of the story.Katie as Contrasted to Other Characters:Katie is in some ways a complicated paradox: She has been deeply hurt and traumatized by all she has experienced, but by the same token, she is still very much an innocent child - Even after 40 years of resilient growth as a character. Katie exhibits a wide array of emotions from youthful innocence and joy, to extreme terror, sadness, loneliness, and solemn distress.Even under tremendously trying circumstances Katie demonstrates an incredible inner strength of character without compromising the sweet, kind-hearted girly girl she really is. The fact that Katie remains true to herself in spite of all the evil and suffering she experienced transcends their eroding influence and distinguishes her from the other characters. Concerning her character, Emily Jane Browning states, Unlike the others, Katie doesn't turn evil and tries to tell the crew about the ship. Ferriman: Ferriman is representative of Satan and the crafty deceptiveness of evil in destroying people's lives. Katie and Ferriman are at completely opposite ends of the Christian spectrum - The demonic Ferriman is totally depraved and evil while Katie is sweet and innocent. Katie is motivated by love and compassion, Ferriman is motivated by hate and rage.Epps: Although Katie and Epps are two completely dissimilar characters from different eras, they still grow quite close. Epps is a woman working in a man's world and appears somewhat tough and masculine on the exterior like a tomboy. In contrast to Epps, Katie is more of a typical girly girl and is slightly timid, but possess a stout inner fortitude despite her innocuous and delicate appearance.Francesca: The sultry Francesca lives the more representative life of a performing artist. Unlike Epps who feels the need to downplay her femininity, Francesca leans toward the other extreme and attempts to flaunt her femininity to her own advantage, even to the point of her own exploitation. Conversely, Katie is still a virtuous and modest young girl, who has yet to be tainted by any corrupting influences.Captain Murphy: On the outside, Murphy appears to be a strong imposing ship captain, however, when confronted with trials and tribulations, his perceived strength is shown to be superficial. This is evident by his emotional breakdown where he shuts off emotionally and withdraws to himself while attempting to drown his problems in alcohol. In contrast, Katie appears to be very delicate in both physical appearance and personality. However, despite her dainty looks, Katie proves her true strength and fortitude from within through dealing with her pain and problems directly.Katie's SignificanceSome of the producers and writers of the film expressed that Katie was an unusually deep and complex character, especially for the horror genre.On the surface, Katie's story is an emotional tale of heartache and tragedy - Something no young person should ever have to endure. However, Katie's story is also essential to the plot. Through helping each other and being willing to put themselves at risk, Katie and Epps together achieve a triumph out of the tragedy and deliver a major blow to Ferriman and the forces of evil. Although the struggle over the souls of people will continue, this victory of the human spirit gives hope even in the face of terrible suffering, evil and even death. Katie is really a very sweet girl. She's completely innocent says Emily Jane Browning, who obviously became completely immersed in her character. She's been hoping someone would come onto the ship to be her friend, so when Epps arrives she's very excited - they develop a real friendship. Emily did an amazing job, Director Steve Beck enthuses. She gave Katie a real complexity - she's not just a little girl caught up in a ghost story. Both Browning and Beck also added that underneath all her heartfelt emotions, Katie longs for vindication and justice.The deeply symbolic and metaphorical aspects surrounding Katie's story along with the close relationships she develops with others lends support to the notion that the film was originally intended to be more than just another Hollywood slasher horror. This is further substantiated by Katie's tearful and heartfelt story - Emotionally poignant and touching drama not usually associated with a horror picture.Sources1. Ghost Ship special edition DVD (2003) - Extra features and behind the scenes2. Official Ghost Ship Movie (2002) webpage & production notes - www.ghostshipmovie.warnerbros.com/production_notes.html?page=2/3. Daily Script: Ghost Ship - www.dailyscript.com/scripts/ghost_ship_info.txt/Sources used to verify the symbolic, religious, and metaphorical aspects contained, or indicated in the official movie production notes, transcripts, interviews with cast and crew and from the DVD:Barclay, William (1975). The Gospel of Mark. Philadelphia, PA: Westminster Press. ISBN 0664213022.Barton, John (2001). The Oxford Bible Commentary. New York, NY: Oxford University Press. ISBN 0-19-875500-7.Boettner, Loraine (1985). Roman Catholicism. Phillipsburg, NJ: Presbyterian & Reformed Publishing Co.. ISBN 0875521304.Buttrick, George (1957). The Interpreter's Bible vol. 12. Nashville, TN: Abingdon Press. ASIN b000htp248.Collins English Dictionary - Complete & Unabridged 10th Edition. New York, NY: Harper Collins. 2009.Dummelow, J.R. (1936). Commentary on the Whole Bible. New York, NY: Macmillian Publishing Co.Gaebelein, Frank (1979). The Expositors Bible Commentary vol. 1. Grand Rapids, MI: Zondervan. ISBN 0310364302.Gauding, Madonna (2009). The Signs and Symbols Bible. New York, NY: Sterling Publishing Co.. ISBN 1402770049.Jamieson, Fausset (1971). Commentary on the Whole Bible. Grand Rapids, MI: Zondervan. ASIN b004bcqp8o.Keck, Leander (2002). New Interpreter's Bible vol. 9. Nashville, TN: Abingdon Press. ISBN 0687278228.Life Application Bible - New International Version. Wheaton, IL: Tyndale House Publishers, Inc.. 1991. LCCN 90-71553.Towns, Elmer (1983). Liberty Bible Commentary. Nashville, TN: Thomas Nelson Inc. ISBN 0840752954.Wall, Robert (2002). The New Interpreter's Bible vol. 10. Nashville, TN: Abingdon Press. ISBN 0687278236.Whalen, John (1967). New Catholic Encyclopedia Vol. 11. Washington D.C.: Catholic University of America. LCCN 66-22292. 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